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Sarah Cahill, an American pianist born in Washington, D.C., is a long-time resident of Berkeley, California. She is best known for performances of new works, many of them written for her. Cahill has also established a reputation as a writer on music and as a radio-show host.
Background
Born into a musical and academic family in Washington, D.C., at the age of five Sarah Cahill moved to California when her father, James Cahill became Professor of Chinese Art History at U. C. Berkeley. [1] Her father owned an extensive collection of records, including rare historical recordings of composers and pianists such as Stravinsky, Prokofiev, Bartok, Artur Schnabel, Walter Gieseking and Clara Haskil. Cahill began her formal piano studies at the age of six, and at seven she began studying with Sharon Mann. By twelve she was performing concertos with several local orchestras. At sixteen she was invited to Sommermusikwochen, a chamber music festival in Trogen, Switzerland where she played Bach’s D major Toccata. Skipping her final year of high school she went directly to the San Francisco Conservatory where Adams composed China Gates for her. She finished her academic studies at the University of Michigan where she continued her musical training with Theodore Lettvin.
Cahill has written music reviews for Gramophone Explorations, Historical Performance, ClassicsToday.com, Grove’s Dictionary and other international publications, and liner notes for recordings by John Adams, Terry Riley, and others. In 1985 she became the music critic for the East Bay Express and has been published in the San Francisco Chronicle, the Village Voice Literary Supplement, and others.
Biography
Cahill is a renowned performer of new American music who has commissioned, premiered and recorded numerous works for solo piano. [1][2][3][4][5][6] Compositions dedicated to her include John Adams’ China Gates, Frederic Rzewski’s Snippets 2, Pauline Oliveros’ Quintuplets Play Pen, and Kyle Gann’s Private Dances and On Reading Emerson. She has also premiered works by Lou Harrison, Terry Riley, Evan Ziporyn, Julia Wolfe, Ingram Marshall, Ursula Mamlok, George Lewis, Leo Ornstein and many others.
In late 2008 and 2009 Cahill developed and performed a new project known under two titles A Sweeter Music, and Notes on the War: The Piano Protests, where she asked composers for piano music on the subject of peace. The second title was printed in the New York Times, but was not Cahill’s original title. [7][8] Commissioned composers include Preben Antonsen, Michael Byron, Paul Dresher, Ingram Marshall, Jerome Kitzke, Mamoru Fujieda, Kyle Gann, Peter Garland, Phil Kline, Jerome Kitzke, Meredith Monk, Pauline Oliveros, Yoko Ono, Larry Polansky, Bernice Johnson Reagon, The Residents, Terry Riley, Frederic Rzewski and Carl Stone.
Projects developed previously by Cahill include Playdate, a group of commissioned pieces about childhood combined with classical works; the commission of an evening of new scores for four hands by Terry Riley, performed with pianist Joseph Kubera; and a concert of recent Italian music, featuring premieres by Luciano Chessa, Andrea Morricone, and others. [9]
Another of Cahill’s projects is Bay Area Pianists, an organization she founded in 1993. In 1996, in association with New Music Bay Area, Cahill created the annual Garden of Memory walk-through concert at the Julia Morgan-designed Chapel of the Chimes wherein audience members move through the environment with new music ensembles performing simultaneously throughout the spaces. [10] In 2003 she co-curated the Berkeley Edge Fest at Cal Performances.
As a radio personality Cahill has hosted weekly radio shows on the classical and contemporary music scenes on both KPFA 94.1FM in Berkeley, where her program was cited as “One of the 100 Best Things in the Bay Area” by Citysearch magazine, and on KALW 91.7FM in San Francisco.
Cahill investigated the impact early 20th-century American modernists had on the composers of her time and explored these influences in concert programs at the Miller Theater at Columbia University, Lincoln Center, Merkin Hall, Galapagos Art Space in New York City, Spoleto Festival USA, the Phillips Collection, the Freer Gallery (part of the Smithsonian Piano 300 gala), and at the Other Minds festival in San Francisco. She has also performed at the Nuovi Spazi Musicali festival at the American Academy in Rome, the Santa Fe New Music Series, and at the Pacific Crossings Festival in Tokyo, Japan.
Cahill is married to the filmmaker John Sanborn; together they are raising their daughter Miranda.
Selected discography
References
- ^ a b Snap, Martin. Tribute to a teacher: Show honors art historian. Oakland Tribune. 2007-04-27. URL:http://findarticles.com/p/articles/mi_qn4176/is_20070427/ai_n19063655. Accessed: 2008-12-01. (Archived by WebCite® at http://www.webcitation.org/5cjqMy5LE)
- ^ Kosman, Joshua. Avant-garde concert melds laptop, traditional piano fare. San Francisco Chronicle. 2008-12-01. Page E11. URL:http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2004/11/05/DDGDJ9LL7P1.DTL. Accessed: 2008-12-01. (Archived by WebCite® at http://www.webcitation.org/5ckhkBQXI)
- ^ Butts, Mickey. A Séance for the Ear. San Francisco Classical Voice. 2007-02-27. URL:http://www.sfcv.org/arts_revs/otherminds2_2_27_07.php. Accessed: 2008-12-01. (Archived by WebCite® at http://www.webcitation.org/5ckizshVg)
- ^ Alburger, Mark. The Attraction of the New. San Francisco Classical Voice. 2008-12-01. URL:http://www.sfcv.org/arts_revs/noevalley_1_30_07.php. Accessed: 2008-12-01. (Archived by WebCite® at http://www.webcitation.org/5cklipKcf)
- ^ Kuderna, Jerry. Contemporary Cantabile. San Francisco Classical Voice. 2006-05-09. URL:http://www.sfcv.org/arts_revs/cahill_5_9_06.php. Accessed: 2008-12-01. (Archived by WebCite® at http://www.webcitation.org/5ckppTLYT)
- ^ Ross, Alex. Dreams and séances. The New Yorker. 2005-11-01. URL:http://www.therestisnoise.com/2005/11/i_just_had_an_a.html. Accessed: 2008-12-01. (Archived by WebCite® at http://www.webcitation.org/5ckhqwqB2)
- ^ Mike, SF. Sarah Cahill’s Sweeter Music. sfciviccenter.blogspot.com. 2008-09-13. URL:http://sfciviccenter.blogspot.com/2008/09/sarah-cahills-sweeter-music.html. Accessed: 2008-12-01. (Archived by WebCite® at http://www.webcitation.org/5cjrp0pkE)
- ^ Kozinn, Allan. When Downtown Comes Uptown. The New York Times. 2008-09-07. Page AR69, New York edition. URL:http://www.nytimes.com/2008/09/07/arts/music/07kozi.html?partner=permalink&exprod=permalink. Accessed: 2008-12-01.
- ^ The Petaluma Post. Three Dance Palace Evenings Feature Storytelling And Fun. The Petaluma Post. 2005-01-01. URL:http://www.petalumapost.com/Jan%2005%20Galleys/04.pdf. Accessed: 2008-12-01. (Archived by WebCite® at http://www.webcitation.org/5cjuxX8Rs)
- ^ Kosman, Joshua. Chapel of the Chimes a natural fit for a musical game of hide-and-seek. San Francisco Chronicle. 2007-06-19. Page D1. URL:http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/06/19/DDG47QGA4R1.DTL. Accessed: 2008-12-01. (Archived by WebCite® at http://www.webcitation.org/5cjvokDrt)
External links
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