Entries in music (18)

Sunday
28Feb2010

Yamaha Vocaloid robot singer (with robot piano)

The embedded video shows a robot powered by the Vocaloid “voice synthesis” software. The movements and expressions were pre-programmed, but the generation of the singing voice from lyrics and score can be done in real-time apparently.

The piano is a Yamaha Disklavier of course, being controlled by the same program that is controlling the Vocaloid robot. This is a good example of state-of-the-art synthesis technology, and sounds natural and human to my ears. 

The inputs for Vocaloid are: 

  • phonemes (lyrics)
  • vocal line (music) 
  • expression (stresses, vibrato, etc.)

The inputs for Disklavier are:

  • precise key presses
  • precise pedal controls

Other inputs for the robot shown in the video are for mouth, face and head movements.

Wikipedia: Vocaloid (Crypton Future Media)

The Character Vocal Series is a computer music program that synthesizes singing in Japanese. Developed by Crypton Future Media, it utilizes Yamaha’s Vocaloid 2 technology with specially recorded vocals of voice actors. To create a song, the user must input the melody and lyrics. A piano roll type interface is used to input the melody and the lyrics can be entered on each note. The software can change the stress of the pronunciations, add effects such as vibrato, or change the dynamics and tone of the voice.

The series is intended for professional musicians as well as light computer music users. The programmed vocals are designed to sound like an idol singer from the future. According to Crypton, because professional singers refused to provide singing data, in fear that the software might create their singing voice’s clones, Crypton changed their focus from imitating certain singers to creating characteristic vocals. This change of focus led to sampling vocals of voice actors.[11]

Each Japanese Vocaloid is given an anime-type character with specifications on age, height, weight, and musical strengths (genre, pitch range and ideal tempos). The characters of the first three installments of the series are created by illustrator Kei.

Any rights or obligations arising from the vocals created by the software belong to the software user. Just like any music synthesizer, the software is treated as a musical instrument and the vocals as sound. Under the term of license, the Character Vocal Series software can be used to create vocals for commercial or non-commercial use as long as the vocals do not offend public policy. In other words, the user is bound under the term of license with Crypton not to synthesize derogatory or disturbing lyrics. On the other hand, copyrights to the mascot image and name belong to Crypton. Under the term of license, a user cannot commercially distribute a vocal as a song sung by the character, nor use the mascot image on commercial products, without Crypton’s consent.

It is encouraging to read that “professional singers refused to provide singing data” because, as you were warned in The Performing Pianist (a pocket primer, 2002), page 27 (Digital vs. Analog):

Pianists are for the most part analog creatures. They may be transformed into digital entities by such things as the glorified player piano, the Yamaha Disklavier. This hybrid machine digitally and precisely captures the manipulations of the keys and pedals, also known as performance capture, which can then be reproduced exactly, ad infinitum, on the analog piano. A lazy individual could purchase and not play this instrument, thus avoiding the need to hire (or bribe) musicians, take lessons, or even go to concerts. This is not in the best interests of the art form. You should consider carefully the degree to which you agree to be digitized…  

RELATED: Fauxharmonic Orchestra - The Robot Philharmonic


Sunday
28Feb2010

Oh Canadia! Congratulations (audio edit)

Featuring Arrogant Worms, Bowser & Blue, Parker & Stone

Avec Celine Dion aussi.

WARNING: explicit language (yay!)

Arrogant Worms - Oh Canadia (Celine Dion Bowser & Blue South Park).mp3

Wednesday
23Dec2009

High School Lib Dub Rumble (Washington State)

It’s not Glee but “Lip dub” — meaning lip-sync with choreography.  A real High school video class asked another for a lib dub throwdown — and it was ON. Shorecrest v. Shorewood. The first (Outkast) is one long shot. The second (Hall & Oats) is one long shot also, but from back to front. Some clever kid helped others memorize their reversed lines, and they listened to the music played backward while they shot.

Hey Ya: A music video Shorecrest High School  

vsanford - My friend Garrett and his friends are famous! Shorecrest High School students made a “lip-dubs” video for school spirit and it’s wonderful, joyous and funny. One of the school teachers challenged is students to make a video as a class project. 4 other teachers caved to pressure and about 150 student participated. 

Now the competing school is in the game and a “lip-dub” competition is under way in North Seattle.

My friend is the kid in the green sweatshirt and yellow shirt — he powers the wheelchair, and has a few other scenes. 

Share it, celebrate and give thanks for teachers who use current tools to teach leadership, collaboration and thinking-out-of-the box.

Shorewood Lip Dub Shorewood High School 

 Hall and Oates. One shot. Backwards. That’s about all that needs to be said. Don’t you wish high school was always this much fun?

Hall and Oates. One shot. Backwards. That’s about all that needs to be said. Don’t you wish high school was always this much fun? Watch, AFTER THE JUMP… (thanks, dan)
Wednesday
16Dec2009

RGBMusic Subway Synesthesia (musical facepalm)

Assigning arbitrary musical values to an arbitrary color space, RGB in this case, yields complete garbage as is easily predictable. Also, reading “fat pixels” from right to left and top to bottom is completely wrong, and has nothing at all to do with the way we perceive images.

Even were the musical values well-researched and agreed upon by an actual person with “synesthesia” still the “installation” in question amounts to showing them a long, random sequence of solid colors.

Here’s some poetry to accompany the visual and musical “art.” Source link

wdtip kbuew atlmm guzbk wuafz mbtkp hxwip tumvy onuly vynin efkjk fvdbc vbhbe yzkrh cffpq zibid svhcj cvjnr phjlw tbxbi wpncd zzbhw dzzcl xmkgb vuknd odkad qcecm awqkl iikfu ofchz tmbgm tlinl jkmve jenmp jixmm qdzhz rerjn vbayc jsqcc wfkht tslwt oagxv ejdoi kqadj jjecp hmnle lkoyb byrhe ajhoy nsemt

ulfo bqme mclr iqtq wsqb ppsj ciun rluo hbbc frcq azsv tjxj yxhx ajar ylme coxu bkur yjtg vlqc dzuv xjje oklf lfcy qyff bvgz qjce jdtb euly knwz eqeh ylfs ihou judn gwbt aebg wmhj xjku mbdc knla wkgu zyzo zunw hnul patc ozkq jcrk fshe qxzz auto ygse

<object width=”480” height=”385”><param name=”movie” value=”http://www.youtube.com/p/76C90143572BD888&amp;hl=en_US&amp;fs=1”></param><param name=”allowFullScreen” value=”true”></param><param name=”allowscriptaccess” value=”always”></param><embed src=”http://www.youtube.com/p/76C90143572BD888&amp;hl=en_US&amp;fs=1” type=”application/x-shockwave-flash” width=”480” height=”385” allowscriptaccess=”always” allowfullscreen=”true”></embed></object>
Tuesday
24Nov2009

Electronic Music Stand - is almost here (touch tablet device)

UPDATE: Crunchpad dies, iPad born

I think my take-away from recent developments is that none of these devices are really suitable.  It will be interesting to see future tablet devices using the android platform, however.

UPDATE: Requirements clarification

The “two pages up” requirement is no joke. The left hand page is given no consideration for “turnability” — the right hand page is often laid out specifically to make page turning easier. “Touch-enabled” requirement changed to “touch-enabled or foot-switch capable”

Idea

I have envisioned an “electronic music stand” device for many years. It may be a reality very soon with minor modifications to the fabled touch-enabled tablet iPad device from Apple or the Crunchpad. I hope it will be possible to make one of those into a prototype. It may soon be possible to modify a cheaper tablet device or other internet-enabled “ebook reader” to achieve these goals.

 

Requirements

  • Landscape mode
  • 2 pages up
  • entire page “clickable” — translates to “touch” —  page 1 to go back, 2 to go forward
  • touch-enabled or foot-switch capable for turning pages
  • Minimum 6 hours operation on battery

Tricky bits

  • direct support for PDF display in browser or natively on the device
  • When not internet-connected must be fully functional, except for “score search”

Optional bits

  • audio playback (via MIDI or mp3 version of score)
  • audio record (record from “line in” to digital audio / mp3 file)
  • auto-page-turn via “listen” (using “mic in” or “line in”)  (difficult but not impossible)

Attractive bits

  • sites such as Free Scores.com or IMSLP.org are ideal places to find potential customers
  • the required modifications to the device are rather simple
  • your entire library of music weighs almost nothing
  • you can find new scores without leaving the music stand (if internet-connected)
  • electronic sheet music services & tablet devices are converging now
  • entire orchestras may want the device
  • color not required, but can be used to advantage if available
  • notation software makers such as Sibelius may be interested; their online score publishing and sharing service does similar things, but can’t be put on a music stand

Unfortunate bits

  • I have no experience and no contacts in the consumer electronics area
  • I don’t think I’m the first to conceive of this

Hopeful bits

  • this should be do-able without violating any patent
  • it’s an obvious outgrowth of touch-enabled tablet devices
  • tablet device makers will have sorted out their patent issues already